Directors Maria Demopoulos and Jodi Wille photographed by Bobby Martin

It was not your typical Happy Hour on the Sunset Strip. Last Thursday, the Standard Hotel hosted the L.A. premiere of “The Source Family,” a documentary by Jodi Wille and Maria Demopoulos. In honor of the 1970s Hollywood commune portrayed in the film, which is the first feature for both directors, the lobby was swathed in colorful fabrics and bedecked with flowers. Psychedelic music snaked through the speakers while longhaired boys and girls milled about, dressed in their flowing finest. In a glass case behind the counter, two young women lounged and did yoga poses, much to the obvious bemusement of the tourists who stood with rolling suitcases, waiting to check in.

Directly across Sunset Boulevard, Wille, Demopoulos and some friends had gathered with former Source Family members in the parking lot of the Cabo Cantina. Forty years earlier this had been The Source Restaurant, founded by Jim Baker, who later took the name Father Yod. This vegetarian hot spot was a favorite of celebrities like Steve McQueen and Goldie Hawn, and for a three-year period it supported the utopian cult’s 140 members and their godlike, silver-maned leader.

Although Father Yod’s teachings put them at the vanguard of alternative practices today considered quintessentially “L.A.” – including vegetarianism, yoga, meditation and natural medicine – the commune’s free-loving lifestyle (and a handful of underage members) generated suspicion and controversy in the community. In 1975 they relocated to Hawaii, where Father Yod died in a bizarre hang gliding accident. The group disintegrated not long after and many members went, in the words of Isis Aquarian, the Family’s records keeper and one of Yod’s 13 wives, “into the Source closet.”

This parking lot congregation, which began with a reading of the names of members who had passed, was, as Isis put in, “a homecoming.” Electricity Aquarian (all Source Family members legally took “Aquarian” names, but only a fraction still use them) led a ritual called the Star Exercise, a daily Source Family practice meant to channel “universal life energy” into the body. In fitting Source fashion, the procession going back to the Standard included two wide-eyed, wild-haired young men who’d abandoned their margaritas at the Cantina to join the party.

Just for the night, the hotel’s 24/7 Restaurant was featuring signature Source dishes. Magus Aquarian, now a successful software entrepreneur, was having the Aware Salad, a mix of carrots, beets, cabbage, sprouts and avocado, plus a cheeseburger and fries. “Don’t tell the Source people!” joked the man who admitted that he had viewed the experience more as a spiritual adventure than a path to salvation. As he tells it in the movie, when taking his very sick young son to the hospital meant defying Father Yod, Magus and his wife Harmony left the Family for good.

“People have asked me if I thought Father Yod was a con man,” he reflected. “And I say no, because a con man takes more than he gives. But he was a hustler; he was very seductive.”

It didn’t hurt that Hollywood casting agents couldn’t have assembled a more gorgeous bunch, or that “home” was a mansion in the Hills with a pool – all depicted idyllically in the film with home movies and photographs. While it’s unlikely that such an insular community could exist today in the era of iPhones (to say nothing of reality TV), this unique history, explored in the 2007 book “The Source,” written by Isis and Electricity and edited and published by Wille, has made an undeniable impact on the ideology and style of a new generation of Angelenos.

The 400-person premiere was held on the Standard’s pool deck, where the artists Miss KK and Alia Penner had created a colorful, cosmic chill-out lounge. The dress code was “clothing optional,” and before the film even began a bevy of naked beauties splashed in the pool. The unmistakable scent of “sacred herb” (another Source Family practice gone above ground) wafted through the air as hotel guests peered over their balconies, no doubt thinking they’d lucked into the best show in town.

The evening was a reunion of sorts for many of the 40 Family members who had flown in from Hawaii or traveled from other parts of California. They greeted each other with hugs and delighted squeals, mingling with the crowd of local musicians, filmmakers, artists, designers, stylists and counterculture aficionados. A barefoot photographer wearing a loincloth wove among them, shooting the scene while he wasn’t being photographed himself.

“Hey, that was my outfit, where’d you get that?” called out Octavius Aquarian, the drummer of the Family’s psychedelic house band, YaHoWa 13. Fronted, naturally, by Father Yod, they’d posed with bows and arrows and little else on one of their album covers. “The younger generation is really cool,” Octavius declared, surveying the crowd. “We were the weirdos of the Sunset Strip: mysticism, gurus chanting – what the hell is that?! Now we’re at the pinnacle, the tipping point!”

Thanks to the incredible trove of archival material dutifully recorded and preserved by Isis Aquarian, the film paints a remarkably detailed portrait of this radical social experiment. It’s a wild ride, one that allows us to experience the allure of handing over one’s earthly possessions and individuality to a larger, all-loving entity, as well as the disillusionment and shame when those ideals collapse. The drama is heightened by an eclectic soundtrack of trippy folk tunes and heavy psych grooves that will be released by Drag City later this month.

For Wille and Demopoulos, fresh off a whirlwind week of premieres and events in New York and San Francisco (with extended runs in both cities), it was especially gratifying to be back where it all began. Friends like John Wyatt, the programmer of Cinespia, and the crew from Cinefamily, which is showing the film and hosting a Source pop-up restaurant through Thursday, helped keep things running smoothly. “We feel like we’ve really done it right,” said Wille of their decision to go the independent route, “because we’ve gone with people we know and trust. We have friendships with them, but they’re also able to create things at a certain level of quality. Dan K at Drag City [also the film’s distributor], who I’ve known for five years, has booked our film in close to 50 cities now.”

To Isis, who revealed that she still regularly communicates with Father Yod, the evening marked a long-awaited moment of closure for the Family. While she has no plans to abandon the Source – a clothing collaboration with the artist Astral Eyes is debuting this week and a coffee table book is next on her agenda – the keeper of the records said that, at last, she knew her destiny had been fulfilled. “The legacy got saved. It’s going to long outlast us all.”

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